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PENÉLOPE

The woman who waits for the man who went to war. The colonial war. What man will this be? If he comes back, how will he come back?

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ORGANISING PRINCIPLES OF EXPERIENCE

Organising Principles of Experience is an experimental short in which an AI model, tuned to the writings and sensibilities of Maya Deren, collaborates with the filmmaker to imagine new films. It explores memory, possession, and the digital afterlife, questioning what remains when the past becomes data and how an artist might lay claim to her absent hero.

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ONE MINUTE

What if, the day you come out of prison after five long years, your brother asks you the more difficult question giving you only one minute to decide? How long is is a minute?

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NANA

In the French countryside, Armando, a slightly macho old man, loses his bearings when his wife, Gina, becomes seriously ill. He will learn to accept help from his son and his granddaughter despite the latent tensions.

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MY GARAGE!

The film “My Garage!” is a mystical drama about an old man who refuses to leave his garage in an emergency area, hiding a mysterious light source in it. The resistance to demolition develops into an eschatological confrontation, where the fate of one garage becomes the fate of the whole world.

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MY FREE FLOATING GHOSTLY IMAGE

In the recesses of darkness, dancing lightly like a weightless shadow. Its presence evokes mystery and fascination, as it moves through the thin veil that separates the tangible from the invisible. This ethereal figure is the manifestation of an undefined essence, an elusive entity that materializes only for those willing to perceive beyond the surface of reality.
Her blurry outlines blend with the surrounding darkness, creating an enigmatic aura that envelops anyone who meets her gaze. His presence is a call to curiosity, pushing those who cross his path to question the very nature of existence and the subtle interconnection between the visible and the invisible.
My free floating ghostly image seems to be the bridge between worlds, a being capable of pushing beyond the limits of human perception. In its silent dance, it conveys emotions without words, revealing an ancient history interwoven with hidden secrets. It is as if every movement contained the weight of a remote past and the promise of a future yet to be revealed.
Through its ethereal form, my ghostly image becomes the personification of the fluidity of existence, teaching that beauty can reside in uncertainty and that true understanding often lies beyond appearances. It embodies the concept that our perception of the world is only the tip of the iceberg, and that behind every surface there is a vast universe of mysteries ready to be explored.

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MOST HATED MAN IN THE WORLD

A detective is hired by a strange client to find out the truth behind the date of birth of Ana Inosculerb, the most hated man in the world. A man so hated that not even his name can be mentioned without being persecuted by society, a man so hated that his life was not even worth living.

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MAMA

At 36, Ana faces a diagnosis of advanced breast cancer. Reflecting on her life and finding refuge in her camera, Ana confronts her scar and a broken, exhausted body, deeply connecting her with herself, her family, her past, and her roots and discovering that the healing process goes beyond the physical.

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LIVING FUNERAL

A philosophy professor prepares a living funeral to find eternal life on the beach. A woman trying to escape the guilt of her dead lover, and young people wandering in uncertain love and future. A father and son resolving misunderstandings and reconciling, and young people asking for forgiveness from a friend who fell into the sea. They hold a funeral in front of the sea to find a new life.

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