Categorie: Documentary 2022

Is Willy still legally competent and can he decide for himself whether he wants to live or die? Or does his condition meet the criteria he wrote down earlier, and can he receive euthanasia based on his living will? A documentary about a doctor’s search for his patient’s will. Kees is a specialist in geriatric medicine. He works at Vitalis Vaandelhof, a closed ward of a nursing home in Eindhoven. Willy has been living in this ward for more than a year. He has dementia and an acquired brain injury brought on by multiple cycling crashes. He suffers from periodic bouts of aggression and delusion, and is often lost in his thoughts. Willy’s family has indicated that he has set up a euthanasia request, and they wonder whether the time has come for Willy to receive euthanasia. His wife and (foster) children support his living will, because he has always said that he does not want to live this way. With help from Kees, they look for what is best for Willy. Under strictly specified circumstances, physicians in the Netherlands are allowed to perform euthanasia and assisted suicide at the request of a patient. The criteria include a voluntary and well-considered request from the patient, unbearable suffering without any prospect of improvement, and the lack of a reasonable alternative.

Sreyra, Ponler, and Sreyven are three young garment workers in Cambodia. Day after day, they produce clothes for the most important global brands, until something exceptional disrupts their routine: suddenly they pass out in the workplace, an event that is followed by their colleagues fainting en masse. Episodes of mass fainting like these are not uncommon in Cambodia, where labour conditions remain harsh. According to trade unionists and government officials, this is caused by long work hours, high temperatures, and malnutrition. However, workers tell a different story: what happened to them is caused by spirits (boramey), angered by the lack of respect shown by the factory owners. Starting from this enigmatic background, Boramey: Ghosts in the Factory offers insight into the lives of Cambodian garment workers at the intersection of work, religion, family, and spirituality.

For almost three and a half decades, a slight and unassuming Brazilian researcher has been bringing forth evidence of an Afterlife via various processes of Instrumental Transcommunication (ITC). Using technological devices such as telephones, televisions, recorders, computers and cameras, Sonia Rinaldi has been able to record both voice messages and visual images of those who have passed on from this life providing comfort to those who have lost a loved one and helping to prove, definitively, that life continues after bodily death. Over time, the quality and quantity of these voice messages and visual images have become increasingly clearer, and her work has caught the attention of many well-respected researchers. Hear from some of them, as well as from a small sampling of parents who have lost a child, who attest to the amazing influence Sonia Rinaldi’s work has on current understandings of concepts such as life and death.